Music and violence: A song that inspires notoriety

“Helter Skelter” from the Beatles White album It is a song that often comes to mind in the context of murder. Members of Charles Manson’s cult have committed Mass murder And under the notion that their gross conduct causes racial wars. Perhaps his family member Paul Watkins had told prosecutor Vincent Bugliosi. In fact, most of the lyrics are White album The song included a subliminal message from the Beatles to him.

The song also promoted the murder of 16-year-old Jason Sweeney in Pennsylvania. His best friend, along with the other three, spent hours listening to “Helter Skelter,” and mentally thinking for himself what he called a “party beyond red.” On May 30, 2003, Sweeney was on her way to meet Jessica, a young girl who was about to set up him. Pretending to be his girlfriend, she invited him to a pre-determined location. Then his best friend, Eddie Bazzip, came to him with Dominic and Nicholas Coia. They hit him BL. They plotted this attack for over a week, discussing how they killed him and how he spent the money he had just been paid for his job. For the next few hours they had been waiting, they listened to the Beatles song “Helter Skelter” over and over again. Killing Sweeney was rushing to them.

British “railroad killers” David Malcahi and John Duffy liked Michael Jackson’s “thriller” as inspiration. During their fuss in the 1980s, they played that tape in their car to pretend to be themselves for rape and murder. It’s easy to see how they viewed themselves as “the fear that you seem right between your eyes” and “trying to attack.” The lyrics are constructed in suspense as the victim freezes and her destiny comes true. “No one’s going to save you,” sing along to these offensive lyrics, energizing them and supporting predatory movements.

Effects of violent song lyrics on attacks

Anderson, Carnagey and Eubanks (2003) tested university students in five different studies on the effects of violent song lyrics on thoughts and emotions as precursors Invasion. The equally balanced subject pool between men and women ranged from 30 in one study to 162 in another. Four of the five experiments demonstrated that subjects who listened to violent songs felt more hostile than those who listened to similar songs with other qualities. “Ribular lyrics,” they conclude. Cognition It influences assessment of situations and emotional states and (ultimately) influences behavioral decisions. ”

Some killers find their senses Identity With the song. “night StalkerHe committed murders in Los Angeles between June 1984 and August 1985, hunting human prey and claiming at least 15 lives. In one scene he left a baseball cap with the logo of group AC/DC, who is obsessed with the 1979 album. highway to hell. His favorite song was “Night Prowler.” This was “Did that sound have that noise from your window? Or your blind shadow? And you are lying naked like a body in a grave… as I slide into your room.” Ramirez wanted to see herself as a stealth screeper who entered the house undetected while people were sleeping.

Fischer and Greitemeyer (2006) examined the effects of sexually aggressive song lyrics on aggressive behavior. 161 students (88 men and 73 women) who thought they were participating are involved marketing The study manipulated female-like lyrics and neutral song lyrics to measure the level of gentle aggressive behavior towards Confederate participants. Male subjects exposed to the lyrics of feminine songs administered women hotter chili sauces than men. In the second study, male subjects listened to lyrics vs. misogynistic songs. neural The lyrics reported a high level of desire to retaliate against women. Although this study was directed at male attacks to reflect social dynamics, female subjects who heard the lyrics “hate men” also reported more aggressive feelings. Researchers concluded that “music with feminine song lyrics should be considered a potentially dangerous source of information.”

Ian Brady, a 1960s British child murderer known as the “Moore Murderer,” chose a song that represents each of his victims. Among them were Roy Orbison’s “It’s over” and Sandy Shaw’s “The Girl Doesn’t Come.” The music made it fun, and playing the song helped this couple relive the horrifying murder. Brady’s partner Myra Hindley said, “I couldn’t believe how exciting it felt to do something really bad, or how free you could feel when everything was lost.” She said they did their best. sexual Often, you experience music right after a murder.

Sometimes the killer says the music made him do that. It just got into his head.

In 2002, 28-year-old Ronald Pituch murdered her mother with dumbbells when she didn’t buy a cigarette. He then tied up the 5-year-old Nie before taking off. Along the way, he met 11-year-old Gregory Catsnelson on his bike. Pitcuh stabs the boy and then attracts himself. He claims to have a mental illness and says he is sticking to Metallica’s song “Ronnie.” The song features a boy with a violent temper who shot. “On this bloody day, I lost my way. Everything was washed away. But the blood stained the sun red today.”

Influence

Music doesn’t kill anyone, but like many others that inadvertently influenced murder, some songs give unstable people a sense of identity, sometimes causing fatal acts, and sometimes just fill in visions. Not all of the songs involved are even about violence. They have just been interpreted in that way by people who intend to harm them.